Sydney General Post Office sculptures

Sydney GPO, sculptures, public art

Public Art : Sydney General Post Office sculptures

Design: ©Tomaso Sani (1839-1915)

Sculptors : © Giovanni Fontana  (1821-1893) and Tomaso Sani

Description : The three central figures in Martin Place, including Queen Victoria were created in Italy by Italian sculptor, Signor Giovanni Fontana, from the designs of Australian/Italian sculptor, Tomaso Sani. They were carved from Sicilian Marble.

Around the arches of the building are carvings of symbolic figures representing the Arts, Science, Agriculture and Commerce. On the keystones are heads representing Neptune, Jupiter, Saturn, Mercury and Minerva. Also around the building are carvings of Queen Victoria, the Prince of Wales and the Duke of Edinburgh. If you look hard enough around the building you can find carvings of well known explorers such as Captain Cook, La Perouse, Tasman, Columbus and Vasco da Gamma. Also included in the carvings are four of New South Wales governors, Sir John Young, the Earl of Belmore, Sir Hercules Robinson and Lord Loftus.

The George Street and Martin Place facade carvings were free of controversy in fact they were highly regarded. It was those Pitt Street bassorievo's which attracted all the attention and criticism.

Date Unveiled:

Location : The Sydney GPO is located at 1 Martin Place, Sydney, Australia.

Controversy: In 1882 Barnet had requested a costing from McCredie Brothers for a series of carvings to be placed in the spandrels of the arches. The carvings were to represent professions and trades from everyday life. Barnet believed the Post Office, being a public utility, should have carvings representing the life of everyday workers, professionals and tradesmen. The commission of creating the carvings went to Italian sculptor Tomaso Sani. Unfortunately, following the viewing of the carvings, the general consensus of the day was that they were considered crass and caricature-like and something that should never be displayed on such a building of grandeur. In other words they were modestly realistic representations depicted in a style ordinary people could understand and therefore not worthy.

This case of architectural snobbery caused bitter debate amongst politicians and the establishment who used the press to attack Barnet. It wasn't long before there was a move in the Legislative council to remove the carvings. The Chief Justice commented that Barnet should have "consulted gentlemen of taste and judgment in art". They even went so far as to set up a board to decide on the carvings fate. As you would expect the report came back condemning the carvings and recommending their immediate removal.Barnet, not one to be bullied by authority sent a letter of rebuttal. It seemed the issue had come to a stale mate. In 1884 a further attempt to have the carvings removed was made, when the issue was referred to the President of the Royal Academy in London. It would take another three years before the Legislative Assembly finally voted for the carvings to remain. Ironically, today thousands of people walk past the building hardly even giving them a second glance.

Garibaldi Rumour: A few years ago a rumour spread that one of the carvings on the GPO was that of Italian revolutionary hero, Giuseppe Garibaldi. As it was common (as it still is today) for artists to leave their "mark" on their work, all focus turned to sculptor Tomaso Sani, who was known for his sense of humour. After a little digging it was discovered that Sani was working in Florence at the same time as Garibaldi was experiencing widespread popularity in Italy. This was at a time when Italy was heading for the Unification of the Italian States. 

So was Garibaldi ever found? Rumours persisted and eventually a tiny image on the side of the "Italy" head was identified as an image of interest! Some believe it is in fact Garibaldi yet others believe it is an image of Barnet kneeling to write his name on the building. You be the judge!

GPO Background : The Sydney GPO is one of Colonial Architect James Barnet's finest creations and is a great example of Victorian Free Classical style. Barnet was inspired by the Palazzi Communali, the splendid public buildings of Renaissance Italy. The building was constructed in various stages from 1866 to 1891, replacing a smaller post office which had occupied the site in the 1830's. Barnet drew up the plans for the GPO in 1865 with work commencing in 1866. The first phase was completed in 1874, with most of the work being done by builder, John Young. The building was later extended to Pitt Street under the close direction and design of Barnet. In the 1890's extentions were added but it would be under Barnet's successor, W.L.Vernon. Further additions continued well into the 1900's. During World War II the GPO was seen as a prime target for attack by the enemies resulting in the clock tower being removed. In the 1980's the building had to be closed in the interest of the public as it was no longer considered safe. Following its closure, extensive alterations began in 1997 with work done to the postal hall and the grand staircase. Additional buildings were added including offices and a 31 storey hotel at the rear of the building. In 2000 a small section of the building was once again opened as a post office.

Faces of the GPO :As you walk through Martin Place you may notice the faces staring down at you from the General Post Office building. There are twenty four faces, on either side of the central carving of Queen Victoria, each representing a continent, country or state. In order from left to right are Europe, Asia, Russia, Italy, Germany, United States of America, Cananda, India, France, Belgium, Austria, Polynesia, Australia, New Zealand, Tasmania, Queensland, Ireland, England, Scotland, Victoria, South Australia, Western Australia, Africa and South America.

Bookmark this page
Facebook Twitter Technorati Stumbleupon Reddit Google Bookmarks Digg


Carvings, Sydney GPO, public art,

 

RSS  Public-Art-Around-The-World

 

If All Else Fails, Search!